By Laura
Aguilera-Flemming
Earlier this spring, Vancouver-based sandwich shop Meat & Bread opened
a new location in Seattle’s rapidly redeveloping Capitol Hill neighborhood—their
first U.S. location, and the biggest one to date. In just eight months, the
design was executed from “top to tail” says Craig Stanghetta, founder of Vancouver’s
Ste. Marie, the studio that designed both the Seattle space and the original Vancouver
location. With help from Seattle construction firm Dovetail General Contractors,
project architect Babienko Architects, and metal shop Architectural Elements,
the light-filled space came together with regional flair. Designed with a similar
ethos as the initial location (there are now three in B.C.), M&B’s Seattle
digs embrace the rugged and historic character of its building, a 1917-built
warehouse. Aside from adding lighting, Stanghetta and team left the original concrete
wall behind the cook line untouched to highlight the juxtaposition of new and
old, or what Stanghetta calls “the best of both worlds.” Other interior details
include elements of bespoke art and lighting, including a custom standing lamp,
bar stools, and architectural detailing on the ornate matte black walls. A famous
Lou Reed quote laser-cut into the back wall adds some pop culture flair: “One
chord is fine. Two chords are pushing it. Three chords and you’re into jazz.” The
spacious 2,000-square-foot café provides plenty of seating and a retail area in
the center dedicated to merchandise such as meat rubs and condiments. Whether
stopping in for a quick bite or staying to experience the laid-back atmosphere,
Meat & Bread offers a unique dining experience complimented by a daily
selection of four hefty sandwich options—including a grilled cheese for brave
vegetarians venturing into the carnivorous fold.
A variety of lighting designed by Stanghetta appears throughout the space. The barn door track-light pendants, located under the mezzanine, were designed by Juno Lighting and purchased through ConTech Lighting. According to Stanghetta, the pendants are strategically hung to articulate the height, length, and flow of the space. |
Photo Credit: Colin Bishop
No comments:
Post a Comment