By Jasmine Vaughn
Bocci, the Vancouver-based, internationally renowned lighting design
and manufacturing company, was recently commissioned to create a light
sculpture at the entrance of the Fairmont Pacific Rim by local real estate
development firm Westbank. GRAY was thrilled to attend the unveiling last month
and be among the first to witness Bocci’s first permanent public art
installation.
Image Courtesy of Gwenael Lewis. |
The installation, Bocci 16.480, is a tree-like structure comprised
of 480 individual Bocci 16 lights. The ‘trees,’ set in burnt wood plank
platforms, form a metal forest of sorts, transforming what was once a
nondescript plot of asphalt into an illuminated social space for both hotel
guests and local design enthusiasts.
Image Courtesy of Gwenael Lewis. |
Bocci’s 16 was conceived by Omar Arbel, Bocci’s Creative Director,
but was a dream left unrealized for many years, until the correct technical and
glass expertise became available. "I have imagined what 16 would look like
for almost a decade," said Arbel. "It is wonderful to now see it
coming to life and prominently placed in Vancouver.”
In order to produce each individual light, the glass must be
poured horizontally in two layered molten glass molds, and then connected with
an internal LED lamp. The lamps are then attached to a combination of branch
and knuckle components that can be combined in limitless configurations.
Image Courtesy of Gwenael Lewis. |
After the unveiling of the 16.480, and the fete that followed, we went
on a tour of the Bocci studio, housed in what once was the Mitchell Press
building in the Armory District. This building brims with creative capital, housing
not only Bocci, but also Arbel’s design firm OAO, high-end furniture retailer Livingspace,
and the Emily Carr Masters degree program. Here you see how Arbel simultaneously
reinvented the exterior structure while retaining the original building’s
character. Arbel artfully cantilevered a gem-like stairwell with multi-faceted
walls over the entrance to Livingspace, and also created an equally impressive
entrance, in the form of a custom door made from randomly laminated strips of
Doug Fir and Lexan.
An interior view of the door shows how it captures natural light,
while manmade light is emitted from two separate groupings of Bocci 14
pendants. We love the building directory, a nod to Bocci’s signature product
numbering system (think 16.480), and the presence of Bench 25 in the foyer, an
Omar Arbel for Bocci original.
Jasmine Vaughn is a an interior designer and writer livening in Portland. Her blog, Made & State, focuses on well-crafted, American-made goods. She also serves as a contributing editor at GRAY.
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